2019: It's been 31 years since Tokyo was reduced to a crater in a sudden flash of light, sparking World War 3. The remains lie as a black hole at the center of the new metropolis, Neo-Tokyo, built on the rubble. The egotistical Kaneda runs the Capsules biker gang, while long-suffering sidekick Tetsuo boils under his inferiority complex. A motorcycle crash after a run-in with an escaped subject of psychic experiments puts Tetsuo in hospital in the custody of the psychic project's leader, Colonel Shikishima, and reveals Tetsuo's own latent psychic powers. Dissident revolutionaries, apocalypse worshipping cultists and a secret government project related to Tokyo's destruction, known as Akira, whirl around the developing emnity between the ever-more powerful Tetsuo and the befuddled Kaneda. Who or what is Akira? Tetsuo seeks answers below Tokyo as he evolves increasingly god-like powers that eventually spiral out of control.
The production techniques in Akira were ground-breaking for Japanese animation at the time, making full use of the mammoth $11mill budget and staff of 70 animators. Character's expressions and mouth movements were drawn to pre-scored dialogue, advanced multi-layered perspective was used for depth and sense of scale, and an expanded use of dark colours created authentic night scenes. Standard outlandish anime style was out, as was traditional heroic storytelling, in favour of darker and more realistic art, narrative and characterisation.
Akira exploits Japan's specific societal concerns with overcrowding, youth alienation and generational disconnection from the wartime past, but also universal themes of technophobia, adolescence and the cyclical nature of war. Power is the core of the film; who has it and who wants to take it. Japan knows better than any country about the perils of technology and messiah complexes, and fear of power and its seduction pervades the film. Within the tangled web of themes and symbols in Akira is a confrontational allegory of generations, split by World War 2 and the nuclear bomb, that don't understand one another. However, all this grand subject matter in the film is in service to what is, essentially, a fast-paced action blockbuster with a moving story of rivalry and maturation.
I think a great double-bill partner for Akira would be Shane Carruth's Upstream Color. Biological manipulation, bewildering puzzle narratives and great soundtracks. Watch them early and you can spend the rest of the night trying to work out what the hell both of them are really about.